Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Eternal light

Saturday 15 March 2025 at 7:30pm
Sherborne Abbey

Uplifting music for Lent, featuring

Tomás Luis de Victoria Requiem (1605)

Banish the winter grey and the politics and be transported to the timelessness of some wonderful Spanish Renaissance music. Uplifting music for Lent from the sixteenth century to the twentieth in the atmospheric setting of Sherborne Abbey, featuring Tomás Luis de Victoria‘s 1605 setting of the Requiem, along with music by Purcell, Lotti, Reger, Pizzetti and Tavener, and culminating in Howells’ wonderful Take him, earth, for cherishing.

The final work Victoria published, the Requiem is a sumptuous six part setting and one of the glories of the Spanish Renaissance. With its vivid colours and sonorities, it’s still a landmark choral work over four hundred years after its composition.

Interspersed between Victoria’s great work are some ‘classic’ works for Lent, and favourites of many choirs. Antonio Lotti‘s dramatic eight-part Crucifixus was written in Venice around the same time as Henry Purcell was writing another choir favourite, Hear my prayer, here in the UK. Another northern Italian composer, Pizzetti wrote his dramatic setting of Psalm 130 in 1937 to mark the patching-up of a friendship with another composer – quite the making-up gift! We pay a brief visit to Germany for one of Max Reger‘s eight sacred songs, written just before he died. John Tavener is a particularly familiar name in this area, where he lived for many years. His 1981 Funeral Ikos is a fine example of the influence of the Orthodox Church liturgical traditions which permeated much of Tavener’s music.

The culminating work in our programme is Herbert Howells‘ masterpiece, Take him, earth, for cherishing, commissioned for the commemoration service following the death of President Kennedy, held in Washington in 1964. Fittingly, it was also sung at the composer’s own memorial service in 1983.

Read more about our programme here.

Our complete programme:

Tomás Luis de Victoria (1548-1611) Missa Pro Defunctis a 6 (Requiem 1605)
Herbert Howells (1892-1983) Take Him, earth, for cherishing
Antonio Lotti (1667-1740) Crucifixus
Henry Purcell (1659-1695) Hear my prayer
Ildebrando Pizzetti (1880-1968) De profundis
Max Reger (1873-1916) Der Mensch lebt und bestehet (Man liveth and endureth)
John Tavener (1944-2013) Funeral Ikos

Tickets £7 – £20, available online here


X

Forgot Password?

Join Us